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春天来到蒙古（注：外蒙古）南部这片寂寞的沙漠，一个游牧家庭迎来了一年中骆驼产崽的最繁忙的时期。一只母骆驼遭遇了难产，在牧羊人的帮助下，它艰难地产下了一头非常罕见的白骆驼。这只母骆驼拒绝接受这个可怜的新生儿，拒绝让它分享自己的奶水和母爱。如果这种情况继续持续下去，这只幼驼将会死去，为了拯救这只骆驼，牧羊人派出了自己两个年轻的孩子去穿越危险的沙漠去寻找一名乐师，他是拯救这只小骆驼的唯一的希望。
在最后的时刻，这名民族乐器演奏者被带来这里，有了他的演奏，一个原始的拯救幼驼的仪式开始了 。
随着悠扬的马头琴声和一名妇女充满爱意的歌声，这只母骆驼开始逐渐被感化，当幼驼被再次带到她的身边的时候，它也流出了泪水，并且开始用自己的乳汁拯救这只濒临死亡的幼儿。
蒙古电影的历史并不算短，但所拍电影大多并不为人所知，像《摔跤冠军》、《蒙古最后一位皇后》、《戈壁的幻景》等影片只在一些地区性小规模影展中露面。
直到近20世纪末，蒙古电影才开始认识到本土特色和国际交流结合的重要性。这其中最有代表性的就是《哭泣的骆驼》这部影片在蒙古境内拍摄，不仅让观众领略到蒙古大草原的自然风貌，也向人们展示了鲜为人知的蒙古游牧生活。这部影片的导演是蒙古人，主题歌是蒙语歌，这是蒙古人的骄傲。
